Split-Traction Figure (After Collapse)
Aneurin Sanders Aneurin Sanders

Split-Traction Figure (After Collapse)

This one started, as many do, with the intent to paint a figure—and immediately betrayed that intention. It tore itself open. It became movement instead. The figure split across a plane that refused to hold still.

Read More
Ghost Structure: Memory, Rewilding, and a Bat Den
Aneurin Sanders Aneurin Sanders

Ghost Structure: Memory, Rewilding, and a Bat Den

Ghost Structure began as a painting, but like most of my work in The New, it sits between the real and the constructed. The site is real: an overgrown patch of land near tillington west sussex, where the remains of a scaffolded shelter were slowly being reclaimed by the land.

Read More
Thread Collapse: Guerrilla AI, Neo-Futurism, and the Algorithm Trap
Aneurin Sanders Aneurin Sanders

Thread Collapse: Guerrilla AI, Neo-Futurism, and the Algorithm Trap

Thread Collapse is a fake Instagram page. A trap. A glitch in the feed designed to catch minds—not followers. It’s an AI-driven visual experiment built on old-school guerrilla tactics: drop the idea into the world, let it circulate like static, and wait for the signal to hit the right people.

You don’t scroll past this.
You fall into it.

Read More
The Hidden Costs of Art Supplies: A Neo-Futurist’s Rebuttal
Aneurin Sanders Aneurin Sanders

The Hidden Costs of Art Supplies: A Neo-Futurist’s Rebuttal

No studio. No ventilation. Head pounding. Tacky acrylics drying like melted plastic. This is the cost of “non-toxic.” This is the lie sold to the working artist.

They package it like progress.

They label it “safe,” “easy,” “modern.”

But all I see is filler, fumes, and failure.

This isn’t just about one bad batch. It’s about a system that doesn’t make for me anymore. Most of these internet art supply companies aren’t run by artists. They’re run by content managers. Spreadsheet people. They move stock. They write blurbs. They know what “sells,” not what works.

Read More
From Vorticism to New Futurism: A Trajectory of Abstract Energy
Aneurin Sanders Aneurin Sanders

From Vorticism to New Futurism: A Trajectory of Abstract Energy

The relationship between Vorticism and New Futurism is one of evolution, redefinition, and radical energy. Vorticism emerged in early 20th-century Britain, propelled by the explosive momentum of modern life, while New Futurism carries the aesthetic and ideological torch into the 21st century. Both movements share an obsession with motion, industrial power, and the fractured dynamism of modernity, but they diverge in their approaches to abstraction and emotion

Read More
Echoes of the Future’s Wild Memory: From Gouache to Motion
Aneurin Sanders Aneurin Sanders

Echoes of the Future’s Wild Memory: From Gouache to Motion

Gouache has an immediacy to it—thick, opaque layers of color laid down in fast, gestural strokes. Each brushstroke holds tension, as if it’s just barely frozen in time. The challenge of animation isn’t just in making these strokes move, but in ensuring they move in a way that aligns with their original energy

Read More
BLAST 3 (2017): A Vorticist Revival for the Digital Age
Aneurin Sanders Aneurin Sanders

BLAST 3 (2017): A Vorticist Revival for the Digital Age

BLAST 3 does not mourn the digital age—it embraces it. It transforms the mechanical intensity of early Vorticism into a contemporary force, where code replaces steel and algorithms dictate rhythm. The digital frontier is the new machine age, and this piece stands at its core, vibrating with raw, unapologetic momentum.

Read More